Tracklisting: 　　1 Yesterday When I Was Mad 　　2 The Truck Driver And His Mate 　　3 Se A Vida É 　　4 Hallo Spaceboy 　　5 To Step Aside 　　6 Go West 　　7 The Theatre 　　8 It's a Sin / I Will Survive 　　9 Discoteca 　　10 Can You Forgive Her? 　　11 Somewhere 　　12 Rent 　　13 Being Boring 　　14 Left To My Own Devices

1 God Willing 　　2 Psychological 　　3 Left to My Own Devices 　　4 I'm With Stupid 　　5 Suburbia 　　6 Can You Forgive Her? 　　7 Minimal/Shopping 　　8 Rent 　　9 Dreaming of the Queen 　　10 Heart 　　11 Opportunities/Integral 　　12 Numb 　　13 Se a Vide e/Domino Dancing 　　14 Flamboyant 　　15 Home and Dry 　　16 Always on My Mind 　　17 Where the Streets Have no Name (I Can't Take My Eyes Off You) 　　18 West End Girls 　　19 The Sodom and Gomorrah Show 　　20 So Hard/It's a Sin 　　21 Go West

Filmed over the course of three evenings at the Birmingham NEC in 1991, "Performance" features the Pet Shop Boys in top form, showcasing some of their greatest songs. I hesitate to say "singing," as this is, as the title suggests, a performance piece. Lavish sets, garish costumes, and a calvacade of dancers and backup singers make this a needed addition to any PSB fan's collection. While it is an import and carries a bit of a fee, it's well worth buying; wonderfully remastered and presented in 5.1 surround, "Performance" has quickly become one of my favorite live concert DVDs. 　　The tracklisting is as follows: 　　This must be the place I waited years to leave 　　It's a sin 　　Losing my mind 　　What have I done to deserve this? 　　My October symphony 　　I'm not scared 　　We all feel better in the dark 　　So sorry, I said 　　Suburbia 　　So hard 　　Opportunities (let's make lots of money) 　　How can you expect to be taken seriously? 　　Rent 　　Where the streets have no name (I can't take my eyes off you) 　　West End girls 　　Jealousy 　　Always on my mind 　　Your funny uncle 　　While "Performance" has been available on VHS for some time, it lacked the inclusion of "Where the streets have no name (I can't take my eyes off you) due to legal reasons; it is great to have the complete show. The weakest track would be "What have I done to deserve this" and that is only due to Dusty Springfield's absence; I fear I've been spoiled by the "Montage" version. That is not to say that this track on "Performance" is terrible; it is just that it is not the same hearing another woman sing backup. Standouts are "Jealousy," "It's a sin," and "We all feel better in the dark." 　　As with the "PopArt" DVD, the commentary is generous and a kick to watch, giving greater insight into Tennant and Lowe's songbook. Enclosed is an interview with Neil and Chris from '91, as well as one with David Alden and David Fielding. 　　"Performance" contains perhaps the most intriguing ninety minutes worth of concert footage I've ever been privy to witness; it will require multiple viewings just to take everything in, and even then, it will always seem fresh and new, as if experiencing it for the first time.

“Pet Shop Boys: Then and Now”, a new “Imagine…“ documentary feature with Alan Yentob, will be airing on BBC One on 16th April. This is the first time Neil and Chris have allowed backstage access to a camera team, accompanying them during the Dreamworld tour for an intimate look inside the world and creations of Pet Shop Boys. In this feature, Alan Yentob will also be talking to Tennant and Lowe about the new PSB album,“Nonetheless”, and their creative evolution over the past four decades. Further guests include the duo’s longtime manager, Angela Becker, Olly Alexander, Marc Almond, Brandon Flowers, James Ford, Stuart Price, Miranda Sawyer, Jake Shears and Rufus Wainwright. Further details at the link below.

Nakata Hideo enlists Kagawa Kyoko, who immortalizes the youngest sister Kyoko in Ozu’s "Tokyo Story", to play an 80-year-old who suddenly receives a letter from her first love.

The film portrays life of New York City's Lower East Side inhabitants. Introvert therapist Betty is befriended with Chinese immigrant Lu Lu, leftist radical Che is also Lu Lu's friend. Italian immigrant and wife of supervisor of building where they all live, Marta, is having an affair with her neighbour Frankie who likes scams. One of his scams goes terribly wrong.

Film of the legendary 1985 concert performance presented by the New York Philharmonic of Stephen Sondheim's classic musical at Avery Fisher Hall at Lincoln Center. The plot of the musical centers around a reunion of showgirls who appeared in an annual Follies extravaganza when it was staged between the wars. Sally and Phyllis are two of these former showgirls, now middle-aged. Sally is married to Buddy, and Phyllis is married to Ben. Sally is unhappy with Buddy, and still is madly in love with Ben after a brief affair they had when they were younger. Phyllis is going to divorce Ben, so all seems right. But the reason Phyllis is divorcing Ben is because he is incapable of showing real, genuine love. Will Sally truly be happy if she leaves Buddy and marries Ben? Okay, the plot isn't much, but the songs are wonderful. The show features frequent "pastiche numbers" in which other former showgirls perform numbers in the style of the period in which this Follies was staged. These numbers, juxtaposed against the moving "book songs," make for a truly brilliant score.

Film of the legendary 1985 concert performance presented by the New York Philharmonic of Stephen Sondheim's classic musical at Avery Fisher Hall at Lincoln Center. The plot of the musical centers around a reunion of showgirls who appeared in an annual Follies extravaganza when it was staged between the wars. Sally and Phyllis are two of these former showgirls, now middle-aged. Sally is married to Buddy, and Phyllis is married to Ben. Sally is unhappy with Buddy, and still is madly in love with Ben after a brief affair they had when they were younger. Phyllis is going to divorce Ben, so all seems right. But the reason Phyllis is divorcing Ben is because he is incapable of showing real, genuine love. Will Sally truly be happy if she leaves Buddy and marries Ben? Okay, the plot isn't much, but the songs are wonderful. The show features frequent "pastiche numbers" in which other former showgirls perform numbers in the style of the period in which this Follies was staged. These numbers, juxtaposed against the moving "book songs," make for a truly brilliant score.

A polar bear is hunted by Eskimos. But suddenly the hunt gets interrupted. Preserved by the Academy Film Archive.